The concept of "immigration" is fundamentally absurd, and the
contradictions such terminology brings about due to the existence of
States makes it a contentious issue for libertarians.
The
libertarian position, as I see it, entails no possible position on
"immigration," because immigration is a state-based concept. If there is
no state, there can be no immigration, only traveling people. In a
world with states, this traps the libertarian into taking a position on a
fundamentally statist idea. Open borders, managed borders, and closed
borders are all statist concepts.
The question ought not be
whether the borders should be open, and I think no libertarian should
take a position on whether they ought. Rather, the libertarian should
recognize that if all property were private, then immigration policy
would not exist as a concept at all.
Saturday, June 17, 2017
Tuesday, June 13, 2017
Holy Fuck, the E3 2017 Devolver Digital 'Press Conference' was a Thing of Fucking Beauty
First, some background. I love Devolver Digital -- their style, the kind of hyper-violent, hyper-mature (immature?) or just generally bizarre, over-the-top games they publish. The music you often find in their games is simply sublime. More generally, they just don't give a fuck. They don't seem to hold back on anything -- and I love it. They know a great indie game when they see it -- games big publishers wouldn't or couldn't touch with a 10-foot pole due to either some of the themes broached or just the riskiness of a project. In the end, they pull games into their line-up that seem to consistently reflect a certain, shall we say... je ne sais quoi?
Some of my personal favorites are games like Hotline Miami and Hotline Miami 2: Wrong Number, Mother Russia Bleeds, Shadow Warrior and Shadow Warrior 2, Gods Will Be Watching, Strafe, OlliOlli 2, and The Talos Principle. There's quite a bit more that I haven't played, too -- they've got a pretty sizable catalog for an indie publisher, but it continues to grow every year, and they rarely miss the mark. Most of their games look like they came out of a time machine from the 80s, inspiring a wonderful bout of nostalgia, especially from us millenials. Of course, this is either part of the charm and the draw, or 'retro' is just an excuse for small or single-person development teams to get away with shitty graphics. In any case, I think they look quite beautiful, and they often implement gameplay mechanics and/or styles that are original, innovative, and just refreshing. Since big publishers are far less likely to take many risks on this kind of content, Devolver Digital fills a very important void.
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| This guy's face from Hotline Miami 2 may as well be Devolver Digital's face |
Saturday, June 10, 2017
In Nomine Tantum: Hitler's '25-point Plan', 'Four Year Plan' show that 'National Socialism' was just as Socialist as it claimed
The go-to talking point for 'progressives', socialists (or do I repeat myself), and SJWs is that Nazism was only nominally socialist for the purposes of the Nazi propaganda machine -- that it was actually a kind of 'capitalism run amok', or 'radical capitalism merged with the State', and that the socialist nomenclature was nothing more than a superficial cover to gain appeal from the masses. While the Nazis and Dr. Joseph Goebbels, notorious as the Minister of Propaganda (and widely recognized as an ardent leftist) were, unfortunately, indeed masters, if not forerunners of modern propaganda -- the reality of Nazi economics reflected much of what their propaganda claimed.
Old Nazi pastimes like institutionalized book burnings, mass-censorship (public and private), and other such forms of information control of anything that wasn't in absolute lock-step with propagating National Socialism, 'German purity' or other such concepts are historically well-favored and effective tools in socialist regimes. Even Nazi extermination camps actually used the Soviet model as a template. Nazi SS Official Rudolf Höss, the architect behind the infamous Auschwitz concentration Camp, found himself inspired:
You simply don't find this kind of stuff in capitalist systems. Of course, if you call these out as some examples of the socialist personality of Nazi Germany on social media, you need only wait mere moments before some rando Defender of Socialism rears his or her or xer head to jump on the opportunity to claim that the Nazis and Nazi Germany weren't actually socialist.
Personally, I'm entertained by the bouts of mental gymnastics that these authoritarian 'leftists' engage in when they try to rationalize their cognitive dissonance the first time they hear about Hitler's and the NSDAP's '25-point Plan'. Interestingly enough, most of these 'true believers' in socialism seem unfamiliar with the actual policies and economic systems underlying the Nazi economy.
Note... I have highlighted socialist policies in red, particularly socialist ones in emboldened red, and the most egregious, arbitrary and murderous socialist polices in underlined and emboldened red. The rest range from more general to nationalist to radical nationalist policies.
The '25-point Plan' and Platform of the NSDAP
It's extraordinarily clear that there is not a single capitalist policy in their platform -- quite the opposite, actually. I count 13 to 15 policies out of the total 25, making more than half of the total platform of the NSDAP anywhere on the spectrum from 'socialist' to "holy shit, that's murderously socialist". Sans the nationalist and racist flavor added in to these policies, avowed socialists and, ironically, 'Antifas' the world over would absolutely cheer at such proposals. They would see such a rising, popular platform as a harbinger of incoming 'Social Justice'.
Old Nazi pastimes like institutionalized book burnings, mass-censorship (public and private), and other such forms of information control of anything that wasn't in absolute lock-step with propagating National Socialism, 'German purity' or other such concepts are historically well-favored and effective tools in socialist regimes. Even Nazi extermination camps actually used the Soviet model as a template. Nazi SS Official Rudolf Höss, the architect behind the infamous Auschwitz concentration Camp, found himself inspired:
The Reich Security Head Office issued to the commandants a full collection of reports concerning the Russian concentration camps. These described in great detail the conditions in, and organization of, the Russian camps, as supplied by former prisoners who had managed to escape. Great emphasis was placed on the fact that the Russians, by their massive employment of forced labor, had destroyed whole peoples.[1]
You simply don't find this kind of stuff in capitalist systems. Of course, if you call these out as some examples of the socialist personality of Nazi Germany on social media, you need only wait mere moments before some rando Defender of Socialism rears his or her or xer head to jump on the opportunity to claim that the Nazis and Nazi Germany weren't actually socialist.
Personally, I'm entertained by the bouts of mental gymnastics that these authoritarian 'leftists' engage in when they try to rationalize their cognitive dissonance the first time they hear about Hitler's and the NSDAP's '25-point Plan'. Interestingly enough, most of these 'true believers' in socialism seem unfamiliar with the actual policies and economic systems underlying the Nazi economy.
Note... I have highlighted socialist policies in red, particularly socialist ones in emboldened red, and the most egregious, arbitrary and murderous socialist polices in underlined and emboldened red. The rest range from more general to nationalist to radical nationalist policies.
The '25-point Plan' and Platform of the NSDAP
- We demand the unification of all Germans in the Greater Germany on the basis of the people's right to self-determination.
- We demand equality of rights for the German people in respect to the other nations; abrogation of the peace treaties of Versailles and St. Germain.
- We demand land and territory (colonies) for the sustenance of our people, and colonization for our surplus population.
- Only a member of the race can be a citizen. A member of the race can only be one who is of German blood, without consideration of creed. Consequently, no Jew can be a member of the race.
- Whoever has no citizenship is to be able to live in Germany only as a guest, and must be under the authority of legislation for foreigners.
- The right to determine matters concerning administration and law belongs only to the citizen. Therefore, we demand that every public office, of any sort whatsoever, whether in the Reich, the county or municipality, be filled only by citizens. We combat the corrupting parliamentary economy, office-holding only according to party inclinations without consideration of character or abilities.
- We demand that the State be charged first with providing the opportunity for a livelihood and way of life for the citizens. If it is impossible to sustain the total population of the State, then the members of foreign nations (non-citizens) are to be expelled from the Reich.
- Any further immigration of non-citizens is to be prevented. We demand that all non-Germans, who have immigrated to Germany since 2 August 1914, be forced immediately to leave the Reich.
- All citizens must have equal rights and obligations.
- The first obligation of every citizen must be to productively work mentally or physically. The activity of individuals is not to counteract the interests of the universality, but must have its result within the framework of the whole for the benefit of all. Consequently, we demand:
- Abolition of unearned (work and labour) incomes. Breaking of debt (interest)-slavery.
- In consideration of the monstrous sacrifice in property and blood that each war demands of the people, personal enrichment through a war must be designated as a crime against the people. Therefore, we demand the total confiscation of all war profits.
- We demand the nationalisation of all (previous) associated industries (trusts).
- We demand a division of profits of all heavy industries.
- We demand an expansion on a large scale of old age welfare.
- We demand the creation of a healthy middle class and its conservation, immediate communalization of the great warehouses and their being leased at low cost to small firms, the utmost consideration of all small firms in contracts with the State, county or municipality.
- We demand a land reform suitable to our needs, provision of a law for the free expropriation of land for the purposes of public utility, abolition of taxes on land and prevention of all speculation in land.
- We demand struggle without consideration against those whose activity is injurious to the general interest. Common national criminals, usurers, profiteers and so forth are to be punished with death, without consideration of confession or race.
- We demand substitution of a German common law in place of the Roman Law serving a materialistic world-order.
- The State is to be responsible for a fundamental reconstruction of our whole national education program, to enable every capable and industrious German to obtain higher education and subsequently introduction into leading positions. The plans of instruction of all educational institutions are to conform with the experiences of practical life. The comprehension of the concept of the State must be striven for by the school [Staatsbürgerkunde] as early as the beginning of understanding. We demand the education at the expense of the State of outstanding intellectually gifted children of poor parents without consideration of position or profession.
- The State is to care for the elevating national health by protecting the mother and child, by outlawing child-labor, by the encouragement of physical fitness, by means of the legal establishment of a gymnastic and sport obligation, by the utmost support of all organizations concerned with the physical instruction of the young.
- We demand abolition of the mercenary troops and formation of a national army.
- We demand legal opposition to known lies and their promulgation through the press. In order to enable the provision of a German press, we demand, that:
- a. All writers and employees of the newspapers appearing in the German language be members of the race;
- b. Non-German newspapers be required to have the express permission of the State to be published. They may not be printed in the German language;
- c. Non-Germans are forbidden by law any financial interest in German publications, or any influence on them, and as punishment for violations the closing of such a publication as well as the immediate expulsion from the Reich of the non-German concerned. Publications which are counter to the general good are to be forbidden. We demand legal prosecution of artistic and literary forms which exert a destructive influence on our national life, and the closure of organizations opposing the above made demands.
- We demand freedom of religion for all religious denominations within the State so long as they do not endanger its existence or oppose the moral senses of the Germanic race. The Party as such advocates the standpoint of a positive Christianity without binding itself confessionally to any one denomination. It combats the Jewish-materialistic spirit within and around us, and is convinced that a lasting recovery of our nation can only succeed from within on the framework: The common good before the individual good. (Gemeinnutz geht vor Eigennutz). Has also been translated as "The good of the State before the good of the individual."
- For the execution of all of this we demand the formation of a strong central power in the Reich. Unlimited authority of the central parliament over the whole Reich and its organizations in general. The forming of state and profession chambers for the execution of the laws made by the Reich within the various states of the confederation. The leaders of the Party promise, if necessary by sacrificing their own lives, to support by the execution of the points set forth above without consideration.
It's extraordinarily clear that there is not a single capitalist policy in their platform -- quite the opposite, actually. I count 13 to 15 policies out of the total 25, making more than half of the total platform of the NSDAP anywhere on the spectrum from 'socialist' to "holy shit, that's murderously socialist". Sans the nationalist and racist flavor added in to these policies, avowed socialists and, ironically, 'Antifas' the world over would absolutely cheer at such proposals. They would see such a rising, popular platform as a harbinger of incoming 'Social Justice'.
Netflix cancels 'Sense8' -- Oh, gosh, gee, golly, willikers... How could this have ever happened?!
Netflix describes the show on its main page as, "From the creators of "The Matrix" and "Babylon 5" comes this tense series in which eight people can telepathically experience each other's lives." Oh, is that all it is? Sounds like some great science fiction! I loved The Matrix, it's one of my favorite movies! I've never seen Babylon 5, but I've heard good things and it's rated very highly, even on imdb! So, hrmmm.... I wonder why Sense8 was cancelled?
No one I've known would ever consider me a prude, but that was... jarring, considering. Kinda sets a different tone, guys.
Sorry, 'The Wachowskis', but it seems The Matrix Trilogy (more emphasis on the first movie) and V for Vendetta signaled the beginning, the height, and from there the very rapid and steep decline into Cloud Atlas, Jupiter Ascending, and now, Sense8.
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| Oh... so whichever Sense8 character I 'am', I'm the pan-sexual one. Got it. |
Well, it probably didn't help that the show insulted the intelligence of its viewership by actually being nothing more than a thinly-veiled SJW, gay and trans propaganda piece -- and this is coming from someone who supports gay marriage and the right for anyone to be gay or trans. It presented itself and was marketed as something it, well, wasn't. The vast majority seemingly wanted sci-fi, not gay/transgender sex scenes, at times with trying-too-hard, 'shocking', ahem... elements, no less. And 'to the extent that it was' what it claimed to be -- that was the thin, albeit highly transparent, insulting, preachy veil.
PROPAGANDA-CEPTION
Now, yo dawg, I heard you like propaganda, so I put propaganda in your propaganda, so you can propagandize while you propagandize.
Seriously, though, if you're not as familiar with the show, here's a positive propaganda piece on the propaganda of Sense8. I suggest reading the whole article to get an idea of 'the masterpiece' that you missed, but here's a snippet...
While each of the characters can be sexually attracted to anyone, they may not find themselves romantically attracted to everyone. Instead, the sensates might identify as being interested in the opposite (heteroromantic) or the same (homoromantic) gender, and even two (biromantic), all (panromantic), or no (aromantic) genders.
Sense8 seems to be going to infinity and beyond in its exploration of how attraction and sex function as part of the human experience. So, why shouldn’t it go one step further? Not only do the sensates create an opportunity to expose general audiences to an often ignored, unexplained, and underrepresented sexual orientation, but they have a serious chance to introduce the public to another aspect of attraction.
It also creates a win-win scenario in terms of the series LGBTQIA representation. We live in a culture that frequently presents us with negative or less than realistic portrayals of gay and lesbian characters. In come Lito Rodriguez (Miguel Ángel Silvestre) and Nomi Marks (Jamie Clayton), two sensates whose personal development is literally as good as—if not better than—their perceivably heterosexual counterparts.
My eyes are rolling into the back of my head.
TTH
Look, there's nothing wrong with having gay or trans characters in your show. It can mix up the characters a bit and possibly insert a necessary dynamic for your story, but don't do it in a way that compromises said story or condescendingly preaches to your viewership, especially if you're already coming from a political fringe, all while claiming that you're something you're not. You've got to be more subtle, more sophisticated than that. Instead, we're treated with little gems like this one, right in the first episode of this 'sci-fi' series...
TTH
Look, there's nothing wrong with having gay or trans characters in your show. It can mix up the characters a bit and possibly insert a necessary dynamic for your story, but don't do it in a way that compromises said story or condescendingly preaches to your viewership, especially if you're already coming from a political fringe, all while claiming that you're something you're not. You've got to be more subtle, more sophisticated than that. Instead, we're treated with little gems like this one, right in the first episode of this 'sci-fi' series...
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| "Hey, kids, you like science fiction?! Family movie ni--OH MY GOD" |
No one I've known would ever consider me a prude, but that was... jarring, considering. Kinda sets a different tone, guys.
No one watching a show for entertainment likes being preached to, apart from overzealous activists who live and want to live in a bubble. Naturally, those are the ones who came out engaging in all sorts of slacktivism about its cancellation -- and likely, these types were pretty much the only ones who stuck with it, why viewership was so abysmal, and why it was cut off at the knees after only the second season. Of course, regardless of all of the protesting, petitioning, tweeting, blogging, and threats of account cancellations and boycotts by SJWs, "Netflix Apologizes to Viewers: 'Sense8' Is Still Canceled". Oh, well, then. It's almost as if Netflix is a for-profit company fueled by revenues from viewership as opposed to being powered by SJW slacktivist screeching! Who woulda thunk it, the folks at Netflix know pretty damned well what they're doing.
'House of Cards' is not at all this kind of #LGBTQIABBQ%+ propaganda, but most certainly has interesting, important gay characters and is a great example of how to do them the right way. Of course, I think the issue is that 'House of Cards' is actually meant to be and works out as an interesting, well-made story. 'The Wachowskis', on the other hand, set out to make little more than a propaganda piece all along, where a sheen made of slivers of an otherwise potentially good sci-fi story gets wasted and marred by being tightly spread over a rotten core of SJW propaganda and just-for-the-sake-of-it-sex.
'House of Cards' is not at all this kind of #LGBTQIABBQ%+ propaganda, but most certainly has interesting, important gay characters and is a great example of how to do them the right way. Of course, I think the issue is that 'House of Cards' is actually meant to be and works out as an interesting, well-made story. 'The Wachowskis', on the other hand, set out to make little more than a propaganda piece all along, where a sheen made of slivers of an otherwise potentially good sci-fi story gets wasted and marred by being tightly spread over a rotten core of SJW propaganda and just-for-the-sake-of-it-sex.
Sorry, 'The Wachowskis', but it seems The Matrix Trilogy (more emphasis on the first movie) and V for Vendetta signaled the beginning, the height, and from there the very rapid and steep decline into Cloud Atlas, Jupiter Ascending, and now, Sense8.
Tuesday, May 30, 2017
'Salad Fingers' Creator David Firth takes the Unwashed Masses to task with CREAM
From the file of 'What the Fuck Did I Just Watch'...
I've been a big fan of the 'Salad Fingers' series for years. It's just... darkly bizarre and there really is nothing quite like it. David Firth typically creates some very dark stuff that's hard to forget and some of it really pushes the limit, or even just cuts right through the limit entirely. Ole Salad Fingers just scratches the surface of his others works that do a damned good job of making you feel like you've lost a piece of your soul after watching them -- pieces you may never get back. Of course, why would anyone watch stuff like this? Us millenials love it, for some reason -- we gobble it right up. A lot of us tend to be drawn, in a way, to some really dark, shocking, and nihilistic themes. In humor, even, the darker the better.
This is something entirely different, though. Firth is not merely expressing himself through another dark, depressing, scary, brutal, existentialist nightmare of an attack on our delicate (read: sane) sensibilities. The animation and ambience is, as expected, 'classic Firth' -- not that I think Mr. Firth is capable of making anything that looks or sounds remotely 'normal', in the first place -- but don't let the general creepiness turn you off from watching it. It hits on all cylinders with regards to the point he's trying to convey and the themes and concepts he's alluding to.
In proper ad absurdum fashion, even if someone had somehow invented something that literally cured society of all of life's ills and inconveniences, ended all war and lifted our standards of living to that of an immortal, healthy, beautiful, intelligent, wealthy, always happy state -- perhaps even allowing us to achieve a kind of godhood -- the great unwashed masses could probably be manipulated to not only be against it, but hate it, and ultimately support prohibiting it through institutional violence. It's a cleverly illustrated extreme example, but Firth asks you to step outside of the zeitgeist of constant infotainment and propaganda overload, reflect, and for christ's sake... think for your fucking goddamned self.
Challenge the status quo, even with an amazing, humanity-saving concept, or better yet -- even something as simple and powerful as truth, and be destroyed by the machinations of those in power with something to lose. Further, prepare to have the rest of society join in on it, because how dare you. Sounds about right.
You'll find that Firth critiques some of the worst offenders, here:
Watch it, below...
On being an outsider very effectively speaking truth to power, or just all-around upsetting the status quo in an extreme way -- watch for the character assassination campaigns and the mass-manipulation that could be taking place. CREAM creator, Dr. Jack Bellifer, could just as easily be someone like Julian Assange of Wikileaks. Or Edward Snowden.
Or, dare I say it, as someone with mixed feelings about him -- Donald Trump. Trump is regularly, and often enough rightfully, called out for stating untruths of various degrees, but here's the thing some are saying about 'ole Donald, that I think gets it right. For better or for worse, one shouldn't take everything he says literally, but one should take it seriously. Politicians use the truth to tell lies, while artists use lies to tell the truth, and Donald Trump is not a politician. Trump is the anti-politician, a kind of social artist, and part of this is what has sent everyone into a tizzy in seeing the upset of all of our political norms and expectations. While Donald Trump may not be the president we wanted, he could very well be the president we needed -- a protest vote that could finally, actually, somehow win against the vast and deep political machines of both parties.
And, as we can see, the character assassination campaign is certainly out in full, unadulterated, unapologetic force, to an extent we've never seen before, with complete disregard for the collateral damage, and by so many with the greatest ideological, economic, and political assets at stake.
I've been a big fan of the 'Salad Fingers' series for years. It's just... darkly bizarre and there really is nothing quite like it. David Firth typically creates some very dark stuff that's hard to forget and some of it really pushes the limit, or even just cuts right through the limit entirely. Ole Salad Fingers just scratches the surface of his others works that do a damned good job of making you feel like you've lost a piece of your soul after watching them -- pieces you may never get back. Of course, why would anyone watch stuff like this? Us millenials love it, for some reason -- we gobble it right up. A lot of us tend to be drawn, in a way, to some really dark, shocking, and nihilistic themes. In humor, even, the darker the better.
This is something entirely different, though. Firth is not merely expressing himself through another dark, depressing, scary, brutal, existentialist nightmare of an attack on our delicate (read: sane) sensibilities. The animation and ambience is, as expected, 'classic Firth' -- not that I think Mr. Firth is capable of making anything that looks or sounds remotely 'normal', in the first place -- but don't let the general creepiness turn you off from watching it. It hits on all cylinders with regards to the point he's trying to convey and the themes and concepts he's alluding to.
In proper ad absurdum fashion, even if someone had somehow invented something that literally cured society of all of life's ills and inconveniences, ended all war and lifted our standards of living to that of an immortal, healthy, beautiful, intelligent, wealthy, always happy state -- perhaps even allowing us to achieve a kind of godhood -- the great unwashed masses could probably be manipulated to not only be against it, but hate it, and ultimately support prohibiting it through institutional violence. It's a cleverly illustrated extreme example, but Firth asks you to step outside of the zeitgeist of constant infotainment and propaganda overload, reflect, and for christ's sake... think for your fucking goddamned self.
Challenge the status quo, even with an amazing, humanity-saving concept, or better yet -- even something as simple and powerful as truth, and be destroyed by the machinations of those in power with something to lose. Further, prepare to have the rest of society join in on it, because how dare you. Sounds about right.
You'll find that Firth critiques some of the worst offenders, here:
- Intellectual property arguments
- Ubiquitous dishonest and agenda-driven 'studies'
- Fearmongers and alarmists
- Character assassinations
- Mainstream media pundits, talking heads, shills, surrogates, sophists, and other propagandists who try to 'get ahead of the narrative' to manufacture public opinion with outright lies and other forms of general deceit and intellectual dishonesty
- Black Propaganda
- 'Useful idiots' who lose themselves in the manufactured group-think and lose their ability to think critically
- The State
I could go on in greater detail, but Mr. Firth communicates everything much better with the story of his super miracle cream than I could with more words.
Watch it, below...
On being an outsider very effectively speaking truth to power, or just all-around upsetting the status quo in an extreme way -- watch for the character assassination campaigns and the mass-manipulation that could be taking place. CREAM creator, Dr. Jack Bellifer, could just as easily be someone like Julian Assange of Wikileaks. Or Edward Snowden.
“If you tell a lie big enough and keep repeating it, people will eventually come to believe it. The lie can be maintained only for such time as the State can shield the people from the political, economic and/or military consequences of the lie. It thus becomes vitally important for the State to use all of its powers to repress dissent, for the truth is the mortal enemy of the lie, and thus by extension, the truth is the greatest enemy of the State.” - Joseph Goebbels, German politician and 'Reich Minister of Propaganda' of Nazi Germany
Or, dare I say it, as someone with mixed feelings about him -- Donald Trump. Trump is regularly, and often enough rightfully, called out for stating untruths of various degrees, but here's the thing some are saying about 'ole Donald, that I think gets it right. For better or for worse, one shouldn't take everything he says literally, but one should take it seriously. Politicians use the truth to tell lies, while artists use lies to tell the truth, and Donald Trump is not a politician. Trump is the anti-politician, a kind of social artist, and part of this is what has sent everyone into a tizzy in seeing the upset of all of our political norms and expectations. While Donald Trump may not be the president we wanted, he could very well be the president we needed -- a protest vote that could finally, actually, somehow win against the vast and deep political machines of both parties.
And, as we can see, the character assassination campaign is certainly out in full, unadulterated, unapologetic force, to an extent we've never seen before, with complete disregard for the collateral damage, and by so many with the greatest ideological, economic, and political assets at stake.
Sunday, May 7, 2017
The True Nature of Voting
The "right" to vote? What is that, exactly? Does this mean that I can insinuate my voting right into any other person's life? If this person refuses to listen to me, can I sue for damages? How is this right violated? How is it maintained? How is it asserted?
Oh, I can only use it in terms of elections organized by the state? Can I use my voting right to help pass legislation? No? I have to be an elected official first? I thought you said this was a right? Why would I need the state to define when and how I could use it? If the state determines when and how I use it, is it really a "right"?
Can I use it in any election? No? I have to be registered first? It needs to be on the ballot in my voting district? If I have been incarcerated, does the state guarantee that I am available and able to vote in my district's elections? No? So, it has been revoked? Can I vote down martial law if it is imposed? No? Revoked again, I assume.
I'm sorry, but this sounds less like a "right" and more like a state-granted entitlement and an extremely weak, tightly controlled power to influence the state and impose its will on others, assuming those in office magnanimously grant it.
How has this ruse not been seen for what it is, sooner? The vote is not "majority rule," it is not "Two wolves and a sheep deciding what's for dinner," it is hardly even political power, in any meaningful sense of the word. It is a fragment of a bone, offered as a bribe to the population at large, to convince them not to revolt, or to interfere with the day-to-day operation of the State. It is a cheap pacifier for the all-but-powerless.
Congratulations for falling for the con.
Oh, I can only use it in terms of elections organized by the state? Can I use my voting right to help pass legislation? No? I have to be an elected official first? I thought you said this was a right? Why would I need the state to define when and how I could use it? If the state determines when and how I use it, is it really a "right"?
Can I use it in any election? No? I have to be registered first? It needs to be on the ballot in my voting district? If I have been incarcerated, does the state guarantee that I am available and able to vote in my district's elections? No? So, it has been revoked? Can I vote down martial law if it is imposed? No? Revoked again, I assume.
I'm sorry, but this sounds less like a "right" and more like a state-granted entitlement and an extremely weak, tightly controlled power to influence the state and impose its will on others, assuming those in office magnanimously grant it.
How has this ruse not been seen for what it is, sooner? The vote is not "majority rule," it is not "Two wolves and a sheep deciding what's for dinner," it is hardly even political power, in any meaningful sense of the word. It is a fragment of a bone, offered as a bribe to the population at large, to convince them not to revolt, or to interfere with the day-to-day operation of the State. It is a cheap pacifier for the all-but-powerless.
Congratulations for falling for the con.
Tuesday, April 25, 2017
'Bill Nye Saves the World' is a shit show and Bill Nye is the Kim Kardashian of Science
Lurking around on Twitter, today, naturally sucked me into yet another black hole of a host of 140-character 'exchanges'. Not having initially realized that a lot of the chatter was due to the new Netflix production, pretentiously named 'Bill Nye Saves the World', I'd expressed my increasing disdain for Bill Nye. Some rando had the nerve to honestly try to compare him to a modern-day Carl Sagan. How anyone could even remotely consider such a comparison is a stretch beyond belief.
Carl Sagan has rightfully earned his place in the pantheon of science popularizers. His long list of qualifications and experience working in academia, deep engagement with NASA, SETI, and the scientific community in general and receiving numerous scientific awards, having written multiple acclaimed science fiction books (one of which, 'Contact', was turned into a great movie), and creating the widely popular and effective show, 'Cosmos', leave no question as to his contributions. Further, he's long posthumously solidified his place simply based on how many prominent figures in science he's inspired.
... And then you have someone like Bill Nye. A lot of us fondly recall him as 'Bill Nye the Science Guy' on PBS from our childhood, who made scientific experiments look fun and interesting. I remember looking forward to watching his show wheeled in on a big CRT television, played from a VHS tape with poor tracking during science class in elementary school, and tuning in while staying at my grandparents' house. How fleeting such sweet nostalgia can be as you witness Bill Nye continue his fall from grace, but even I was not prepared for the shameful train wreck I was about to witness.
I'd already come to my own conclusion that his scientific mind and approach to things didn't seem to have aged well. Relying purely on nostalgic celebrity from (fellow) millenials as some kind of implied claim to scientific authority should almost be sufficiently disqualifying, but Bill Nye seems utterly relentless about whittling away at any perception of authority he has left. When live and in the hot seat and not following a script, his either remarkably obtuse or remarkably dishonest attempts to debate scientific issues he portrays himself as an authority on show a greater degree of intellectual vacancy than I would have thought. Unfortunately, what little respect I'd had left for him had been mostly drained, flowing from nostalgically positive, to now negative territory, especially after having finally seen a clip from his new show.
Seemingly, the SJWs have hollowed out and infected this man's mind, turning him into a veritable husk of his former 'Science Guy' self. Do you think I'm being a little overdramatic? Well, then... Please brace yourself, for we have now reached Mount Everest, peak-levels of cringe...
Carl Sagan has rightfully earned his place in the pantheon of science popularizers. His long list of qualifications and experience working in academia, deep engagement with NASA, SETI, and the scientific community in general and receiving numerous scientific awards, having written multiple acclaimed science fiction books (one of which, 'Contact', was turned into a great movie), and creating the widely popular and effective show, 'Cosmos', leave no question as to his contributions. Further, he's long posthumously solidified his place simply based on how many prominent figures in science he's inspired.
... And then you have someone like Bill Nye. A lot of us fondly recall him as 'Bill Nye the Science Guy' on PBS from our childhood, who made scientific experiments look fun and interesting. I remember looking forward to watching his show wheeled in on a big CRT television, played from a VHS tape with poor tracking during science class in elementary school, and tuning in while staying at my grandparents' house. How fleeting such sweet nostalgia can be as you witness Bill Nye continue his fall from grace, but even I was not prepared for the shameful train wreck I was about to witness.
I'd already come to my own conclusion that his scientific mind and approach to things didn't seem to have aged well. Relying purely on nostalgic celebrity from (fellow) millenials as some kind of implied claim to scientific authority should almost be sufficiently disqualifying, but Bill Nye seems utterly relentless about whittling away at any perception of authority he has left. When live and in the hot seat and not following a script, his either remarkably obtuse or remarkably dishonest attempts to debate scientific issues he portrays himself as an authority on show a greater degree of intellectual vacancy than I would have thought. Unfortunately, what little respect I'd had left for him had been mostly drained, flowing from nostalgically positive, to now negative territory, especially after having finally seen a clip from his new show.
Seemingly, the SJWs have hollowed out and infected this man's mind, turning him into a veritable husk of his former 'Science Guy' self. Do you think I'm being a little overdramatic? Well, then... Please brace yourself, for we have now reached Mount Everest, peak-levels of cringe...
Oh, my, how far the mighty have fallen.
Let us have a moment of silence for what little dignity remains for this man, once a titan in our young, hungry, curious minds. What was once someone teaching and showing us about objective, empirical science has now crossed over into a sideshow of bizarro-world, gender-fluid theory, as so artfully and tastefully displayed by 'Rachel Bloom', from 'Crazy Ex-girlfriend', whoever the fuck that is, anyways. Seeing ole Bill Nye dancing around so creepily to it all is just cheap icing on this cringe-cake I wouldn't serve even to my worst enemy.
So how could this have happened? Let us top said cringe-cake with some sour grapes, to boot. Of course, Bill Nye was never a real 'Science Guy', anyways. He actually just has a Bachelor's in Mechanical Engineering and merely played a 'Science Guy' on TV, according to a script. Being intellectually vacant and willing to do anything for money and some sad vestige of fame is what has turned Bill Nye into the Kim Kardashian of science.
Now, if some think I'm cherry picking only one cringey piece from an otherwise great or even mediocre or even sub-par show, I'm really not. Out of the sake of pure, morbid curiosity, I invite you to flip on Netflix and actually put yourself through an episode or two of this. I've watched a bit and there's really only so much I could take. With that being said -- I really, truly do hope that Progressive SJWs continue pumping out trash like this. They've become a parody of themselves, and they're too delusional, tone-deaf, and stuck in their sad little echo chambers to realize it.
Oh, and don't forget -- almost half of the fun of watching any youtube video is reading the comments!
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